jo skates

Thoughts about skating and the practice of everyday life


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More ankle action

I usually keep notes on my lessons, but forgot to this week. So I’m sitting here trying to remember what the fuss was all about. I do know that it was #$%@&!!! amazing!

Laurie corrected something very basic: my tendency to keep my left hip and leg forward. Just slightly, but enough to really screw up my alignment, especially when I push into my left outside edge. I do it on other moves as well.

Once we identified that issue, I knew immediately that this is related to two things: my left hip imbalance and my right ankle problem. The former is way better; I can get my hips lined up nicely on command now (after three years of working on it, thank you very much!) The latter is harder. I still have limited mobility in that ankle, though it has been improving. I spend time stretching, flexing, and massaging it everyday (handy list of exercises and videos here). My toe pointing is way better than it was, though my ballet days are long over.

But I still have limited right ankle range of motion while skating. This affects my ability to do clockwise slide chassés. When I try to slide from the right outside edge to the left inside edge, my right foot simply does not slide forward. It’s like I’m stuck in bent-ankle mode.

I spent the latter part of the week working on this motion (sliding the right foot and pointing the toe). Oooh, my ankle feels so stiff! I think the motion is getting better, though, which is good because I noticed that it comes in quite handy. There are quite a few cross-behind maneuvers that I’ve complained about on this blog (Silver Tango, Kilian). Now I know why they felt so wonky for so long.

Okay, that’ s enough about the diagnosis of the week. I’ll share a picture of the inimitable skating team of Doug and Sonia, in blue for their Blues.

And here’s an absolutely beautiful rendition of “Duo des Fleurs” (Flower Duet) in Delibes’ Lakmé.  Ah, so smooth . . . .

Lesson notes:

  • Exercise for back push to outside edge: from both feet together and parallel on the ice, concentrate on only turn out heel of pushing foot to push (can do this with back chassés).
  • Counter-clockwise forward progressive or chases (make sure left hip doesn’t sneak forward).
  • Slide chassés: concentrate on smooth and quick transfer of weight and right ankle action.
  • Kilian: work on the cross behind-slide out motion. Make sure you give equal time to all the steps.
  • Starlight inside mohawk sequence: turn happens immediately as you bring your feet together–no pause!

 

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Playing it safe

Since getting back on the ice from weeks of summer vacation and houseguests, I’ve been focusing on getting my skating sea legs back. I’ve noticed that while some aspects of skating come back quickly, certain trouble spots–like the back inside edge on the right side and the forward inside edge on the left–continue to plague me. I realized  that I have some more basic work on alignment and strength to do, especially on those edges.

When I hit the skating sweet spot, the edge feels really solid. I can turn, deepen the edge, do a power pull, or change positions without much effort. But when I’m not in a good place over the edge, all kinds of crazy things begin to happen. Most of the time I can sort of keep it under control, but sometimes it’s like a horror movie.

I’m pretty sure that these particular edge problems are tied to old injuries (left hip, right ankle) that have made me more tentative on those sides. But playing it safe by backing away from the edge (and I do mean literally backing away, since my backside goes out) makes it even more terrifying. If “safety” is a feeling, I need to redefine it as proper alignment and pressure into the ice.

Luckily I am not having to struggle through this alone; I finally had some lessons as well as a Pilates class this week. One of the first things Laurie told me was to keep my tailbone pointed down.  This is something that I wrote about some years ago. But you know, like most good advice, it bears repeating. When I actually moved my tailbone down, I could immediately feel some stretching and pulling through the muscles of the left hip.

At my Pilates class, PT Sarah noticed that the lowest part of my stomach would bulge forward when I would do certain exercises. Once she corrected this, I realized that I haven’t been fully engaging my abdominal muscles (or, I should say, the correct abdominal muscles). This also makes sense, given the skating issues I’ve been having. Now that I’m aware of this, I need to translate this into something I can do on the ice.

Another thing that Laurie pointed out was the weakness of my right back inside push. Again, I realized that I have been backing away from anything that involves a strong back right inside edge, probably because my right ankle feels somewhat unstable these days. I’ve been steadily working on that ankle (which I think is getting stronger and more mobile, so good!) but have to keep thinking about translating that to the ice.

So now I have my work cut out for me.  Gotta spend some serious time on the ice! Luckily it’s summer, and skating is a good way to escape the heat. Just to remind me that soon enough the cold winds will blow, here’s a little animation set to an amazing violinist.

Lesson notes:

  • Forward and backward swizzles: tailbone down, articulate ankles more, don’t rush, really focus on right side.
  • Progressives: push down through the ice and don’t release early (no popping up).
  • Back crossovers: clockwise, watch push from right inside edge goes out of circle, articulate foot/ankle rather than swiveling hips.
  • Back cross stroke: practice “v”position and articulating ankle on outside edge.
  • Three forward cross strokes, keeping shoulders square (hold thumbs if necessary), hold next outside edge for full circle (skating arm in front). Bend those knees!
  • Outside mohawk (foxtrot, tango)—all kinds of problems!
  • Back crossover, push to back outside three, forward inside three, repeat on other side.
  • Back outside, cross in front, three power pulls, repeat on other side (use pressure of edge pulls, not swinging upper body).
  • Three step inside mohawk pattern: keep feet together after turn, get hips in proper place.
  • Inside mohawk, back inside three, cross stroke, repeat.
  • Inside mohawk, back inside three, swing roll, change edge into mohawk, repeat.
  • Mohawk, push back, outside three with power pull on inside edge. Continuous pressure on inside edge for edge pull, not a short “punch.”


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Hips are A-okay!

I had a session with PT Sarah the other day, just to check in. My hips are doing pretty well! I still have some stiffness on the left side, but it’s way better. And so we spent more time on trying to get more mobility in both my right ankle as well as my mid-back (which continues to be stiff).

It’s been an interesting process trying to determine which parts of my body could work better in my favor. I started going to physical therapy mainly because of pain in my left hip and foot, but now I find that the right side could really use some work. The right ankle issue is because I have a lot of scar tissue there from an injury many years ago. I have trouble pointing my right foot and doing heel raises on that side. Sarah gave me some ways of stretching the ankle to try to loosen up the motion of the calcaneus.

Basically, we are working on getting some side-to-side motion for that joint, as if the heel bone was fish-tailing side to side. I sit back on my heels with my toes stretched out, try to pull the foot bones away from the ankle, and then work on that fish-tail motion. These were definitely uncomfortable, but they seemed to help.

As I am wont to do, I promptly tried this idea out on the ice too by trying to imagine that my heel bone was moving in the same path as the end of my blade (but away from the rest of the foot). This is a hard sensation to describe, but it makes a big difference in my stability. Basically, it felt like my skating foot is longer on the ice, that my weight is slightly farther back, and that I have more control over my blade.

This has been a much better week, thank goodness. I have been doing my off-ice exercises regularly, and this has helped too. I wouldn’t say I’m completely 100% confident, but at least I’m not feeling stalled out.

Here’s a picture of my forward outside loops, which are improving, I think.

Jo-loops

And a recording of Rostropovich playing Schubert’s Arpeggione with Britten (yes, that Britten), which probably can’t be improved on:

Lesson notes:

  • Two foot rockers: think about axis and where you are facing
  • Perimeter stroking: lobe direction (start progressive later); eliminate kick of right free leg
  • Inside mohawk step forward on inside, inside rocker (two foot okay), step forward, repeat
  • Open outside Mohawks: work on aligned hip position, circles (think about where you are facing)
  • Swing roll, flat, inside, inside mohawk, push back step forward, repeat: hip position over standing foot, rotate into free arm

 


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Really?

So it snowed again last weekend, and I had to shovel twice before it all melted on Monday.  Then yesterday I walked outside and there were flurries in the air. It’s supposed to warm up in the next few days, but then they’re predicting another couple of inches of snow this coming weekend.

Really?

Even those of us who say they don’t mind Minnesota winters have had it. We are shaking our fists skyward, bemoaning the futility of it all. Or we are eating chocolate.

Or we are skating, thinking that even if the weather were nicer, we’d be inside anyway.

Okay, so it’s still winter in mid-April here. But at least several good things are going on with my skating. One began with the head weight idea, which I’ve been trying to work into all aspects of my waking life, including as I sit here now at the computer. I have now seen way too many pictures of bad head posture that results in inevitable doom (just google “bad head posture” and you’ll see what I mean). Anyway, I have been working on moving the weight of my head slightly back using my entire upper back and neck (rather than just trying to roll my head back, which did not work). And this seems to be working well not only to align my upper body, but also to place me in a better position overall.

I have better control over my edges. I’m bending my ankles more. And I am even able to relax my often too-tight hip flexors on command, meaning that I can finally sorta get that “flat front of hip” position that both Ari and Laurie have been telling me about. I was beginning to think that was some kind of strange genetic predisposition only granted to those with true talent and ability. But no, I can do it too!

It is not quite the dawn of a new skating day, since yesterday I was working on back cross rolls and had one of those falls that made everyone sympathetic in that way that they only behave when you are over 50. My coach Laurie even texted me later to make sure I didn’t have a concussion.

So okay, ouch. But at least my hip flexors were relaxed! And I was back on today, a little bruised but not too bad.

So here’s a little inspiration: not quite skating, but also balanced on the perfect blend of movement and stillness, gravity/force/momentum

Lesson notes:

  • inside three, cross in front, step forward and repeat on other side. Left side is better, but the right needs more foot/ankle action and more actual curve/turn.
  • forward three, change edge, back three, forward three. Place free foot forward before the back three so you can use it to create more rotational energy.
  • back choctaw, forward choctaw. Work on not pushing forward into the new edge. Make sure you are really using your ankles on those edges–no pretend edges!
  • rockers. Work on getting stronger edges coming out of the rocker.
  • counters. These are confusing, since they are sort of like brackets.
  • progressives in a circle. These are better! But make sure there is not an abrupt jerk when you push from the inside edge.
  • back chassés in a circle. This is to get the rise on the back outside edge.
  • forward three, back outside edge. Think about your ear staying inside the circle to correct that slight lean out.
  • back cross rolls. We worked on getting that real push. Then I fell. Ouch.

 

 

 


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New foot exercises, with a twist!

IMG_7142

New year, new socks!

Most winters in the past I have tended not to think a lot about my feet, since most of the time they are encased in boots, thick fuzzy socks, or warm slippers. And when I’m skating, it’s been lace ’em up and forget about them.

That all changed a few years when I started developing a constant pain in my left foot and realized that I needed to do something about it. This was nearly four years ago and it  has initiated an ongoing process involving a lot of PT and research about better ways to move and skate. Some of what I’ve discovered involving the feet is very sobering: for instance, a 2008 article in N.Y. Magazine about how walking in poorly-designed shoes (meaning most of them) affects foot alignment. Ack!

I don’t even want to think about how this applies to skates.  Fingers in ears! Lalalalalala–I hear nothing!

Okay, I’ll just go to my happy skating place. As you know, I’ve been doing lots of off-ice exercises targeting different muscles; these include foot and ankle exercises and stretches that have increased both my strength and mobility.  In addition to calf raises, short feet, and “the wave”, I have just added several more exercises for my feet (plus a fourth video that explains some of the alignment issues that I think have affected my left foot in particular).

I just started doing these this week, but I feel like they are already making a difference.

 

 

 

Okay, time for the twist (literally). Early January also finds me spending a few minutes a day on a fairly inexpensive twist board. This seems to be helping me rotate my core much more readily, which really helps with skating.

twistboard

Plus, it’s super fun, especially with Chubby Checker playing in my head.

It’s supposed to warm up this weekend, thank goodness. Not warm enough to go barefoot in the park, but maybe by the time it is my feet will be super strong! And we can twist again, like we did last summer.

Lesson notes:

  • back crossovers. Use a comfortable rather than exaggerated core position (rotated into the circle, head over sternum). Knee bend will allow for the outside edge push.
  • inside loops. Practice arm positions and getting a real loop shape going (even if you have to use two feet).
  • outside loops. Use enough core twist (dog chasing its tail).
  • “creeper”: forward outside three, inside-outside change edge (draw foot in, then free foot forward), back outside three, toe push to repeat on other side.
  • same thing, only add a mohawk step forward after the back outside three.
  • inside mohawk, push back to back outside three, forward inside three, back cross stroke, back inside three, repeat. I’m not actually sure if this sequence is correct or if I conveniently forgot it, since I got stuck on just trying to do the cross stroke correctly without pitching forward.
  • forward chassé, forward swing. Accelerate on the swing, head up, and hips forward (rather than breaking forward at the waist).
  • forward swing, change edge, mohawk, step forward and repeat on other side. Don’t lift free hip too high!

 

 

 

 


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Straight from the hip

A while ago I wrote a post that identified the “back dimples” as where the different bones of the pelvis come together. In the mat Pilates class I’ve been taking from PT Sarah, she has been talking a lot about lengthening the back from those dimples to the kidneys (which are roughly in the bottom part of the ribcage).

Kidney-location

This is a another way of thinking about maintaining better alignment using the core muscles. I’ve had some success finally getting that sensation on the left side while doing off-ice exercises.

So this past week I’ve been trying this out on the ice as well. Another game-changer! It has really stabilized those problematic back edges (left back outside, right back inside) and it helps on other edges as well. Best of all, it’s way easier to tell where I am on the blade, and to keep the rest of my body from flying around furiously on turns.

I’ve been using this idea on a lot of things, and it was especially helpful on the inside edges and back crossovers that Laurie and I worked on in my lesson.  With the inside edges, I haven’t been keeping my body inside the circle, especially on the left side. Sounds crazy, but I think now that I wasn’t really quite sure where my body was.

It’s funny how things can be just a little off in the hip/back department, and whammo, everything is out of whack. Wish I had an auto-correct function on my body! Then all my edges would shoot straight from the hip!

No, I take that back.  I’m going to share my lesson notes without editing them. The first two items I just wrote but, but the second half are notes I took right after my lesson on my phone. Then you can witness yourself what havoc auto-correct wreaks.

  • back crossovers: think about really getting the weight properly into the circle over the outside edge. Foot rolls over the edge to push and hold.
  • Inside edges: again, get your weight into the circle. On back inside edges, practice counter-rotation and turning out from the standing side.
  • Chaser swing roll swing through straight knee.
  • Swing rioll change mohawk step around.
  • Swing through Goh change twizzle.
  • Eoropean wife step down.
  • Same pattern with triple three.
  • Back three pull change forward three other side.

Wasn’t that fun? Now for a classic from one of the “manly Canadians,” Bryan Adams.

 


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Get a grip!

So Laurie noticed two things on my lesson last week that I need to work on. One came up with counter-clockwise back chassés.  I don’t engage my foot when I push backwards off the inside edge, which means that I lose out on force and stability.  I was dutifully rising and bending on the inside edge, but that was a deceptive feeling, since I basically just used the rise to flatten out that edge.

Once she told me to “get a grip” with my pushing foot, it got much better. At least it did on my left side, where my foot and ankle are nice and strong now. (On my right side, I am still struggling to push correctly, which entails pointing my foot and stretching that oh-still-so-stiff ankle.)

The other problem was that I was still was having trouble keeping my hips in place while transferring from right to left. We worked for a while on just pushing onto a forward outside edge. First we dissected the inside edge push on the right side (which turned out to have a similar need to “get a grip,” and not allowing the edge to come around enough). And then we turned our attention to that left outside edge, in which my hip and the rest of my body was still strangely contorted.

It’s testimony to how contorted it was that I don’t even know how to explain what I was doing (though it’s sorta like having my left hip always ahead and above my right). Instead I will just think about what Laurie said, which is to imagine my left skating hip as being slightly below my right, both on the inside (pushing) edge and on the new edge. This allowed the lean to happen through the hips rather than through the upper body. Another way of thinking about it is that the hips pretty much just stay right next to one another, though because of the lean it feels like one hip is slightly below the other.

For all that I think am improving–feeling like everything is getting better in terms of holding an edge and keeping my hips in place–it’s a bit alarming how all these momentary lapses (a.k.a. “flats” or “hips out of whack”) keep coming back to haunt me.

It’s like the Ghost of Skating Errors Past! But like all ghosts, it means that something hasn’t been resolved.

Back to the drawing board! Luckily I can work on these two things ad nauseam. I’ve even been standing by my desk shifting my weight from one side to another, trying to figure out how the different muscles work. There is something so basic about this that I’m just starting to figure out. I have a whole different set of sore muscles (right glutes, now!)

I would love to end this entry with more than just a note about my sore muscles, but I’m afraid that’s the best I can do before the weekend comes to a close (sigh!)

Oh, I know. I’ll post food pictures from the past week!

 

And a link to “The Nightingale,” which is part of Otto Respighi’s “The Birds” (a set of pieces written from 1928, based on the works of composers from the 17th and 18th centuries, and imitating the sounds of different birds). Enjoy!

Here are some lesson notes, since it will be a while before I can do more than just get a grip.

  • inside edge, pull change to outside, cross stroke to repeat on other side.
  • three forward cross strokes, deep outside edge with free foot in, outside three turn with skating arm in front. Use foot action to turn, rather than twisting upper body.
  • inside edge, cross behind to outside edge, cross stroke to another outside.